Like the worsening news about the future of our planet, the following films have recently arrived in short bursts. They deal out often visually spectacular but emotionally devastating losses of sea ice, as well as the unheard voices of nations beneath the rising waves. Some consider the double-edged sword of technological innovation, whose parasitic profit motive has compromised its earthly host. Others analyze those natural resources that so-called progress continues to exhaust in search of the new shiny.
But these Earth Day offerings are timely snapshots, because the
slow-dawning realization that we've unplugged from a lethal, consensual
hallucination can be screened far and wide in our pop-cultural productions.
You've seen it in the post-apocalyptic allegory of The Hunger Games,
last seen slaying the box office, whose forthcoming king will no doubt be
The Hobbit, which takes place in a bucolic Middle-Earth bouncing its
way toward an epochal world war. You can throw in Game of Thrones'
murderous power grabs, Don Draper's advertising fetishism and plenty more.
But the mainstream and indie documentaries below pull away that
fictional prism for convincing think pieces on sustainability and survival.
Thanks to the death of appointment viewing, you'll get to watch them anytime,
most likely on any platform, sometime this year.
1. Surviving Progress
Co-executive produced by Martin Scorsese and co-directed by Mathieu
Roy and Harold Crooks, this meditative documentary examines humanity's currently
crucial crossroads between self-wrought runaway consumption, rapacious economics
and natural resource exhaustion through the prism of so-called technological
progress. Anchored in author Ronald Wright's 2004 Massey Lectures series A Short History
of Progress and fleshed out by theoretical physicist cyborg Stephen Hawking,
dystopian sci-fi author Margaret Atwood, famed primatologist Jane Goodall and
others, the visually impressive Surviving Progress analyzes
what it will take to dodge a global collapse that is priced into the future
thanks to short-sighted past and present mistakes.
It's a poetic analysis, with a spare score that cedes ground to its
visionary subjects, and their destabilizing subject matter. But it's also an
optimistic exploration, holding out hope that humanity's exponential
technological development can discover solutions to stave off what Hawking calls
the next two centuries of natural and social disasters we'll have to negotiate
to survive as a species. Some answers come from Craig Venter's Synthetic
Genomics, which is scouring the planet's oceans for microbes whose genes can
help us "write software for life." Others can be found in the internet, which
Surviving Progress posits as our interconnected planetary brain. If
you're looking for a fiery polemic, Surviving Progress, opening in
April, is not the film for you. But if you're looking for a sweeping think
piece, welcome to the machine.
2. The Island President
Earlier this February, Mohammed Nasheed -- the
Mandela of the Maldives, who like his forebear has spent much of his life being
tortured in prison -- was allegedly forced from his presidency by gunpoint. A
month later, The Island
President, a documentary exploring Nasheed's campaign to reverse
climate change in order to save the low-lying Maldives from being swallowed by
inevitable sea rise, finally debuted in a United States that probably couldn't
even locate his country on a Google map. Even so, The Island
President's award-winning political and environmental intrigue still
managed to capture the consciences of its viewers, critics and even his own
country.
Although director Jon Shenk's documentary takes place in a remote
corner of climate change's evolving dystopia, it remains a cautionary tale for
any nation that thinks its elections are clean and its political and economic
priorities are being properly addressed and administered. And the show goes on
with Nasheed's one-time ally, vice-president and Stanford graduate Mohammed Hassan
-- whose own brother fingered him for helping oust Nasheed in a coup -- now
sweating uncomfortably in global warming's hot seat. He'll soon be joined by
politicians at the center of power webs in places Americans do know, like Miami,
New York and others subject to the ravages of sea rise.
3. Bidder 70
After bidding on 14 parcels of pristine Utah public land near
national parks and landmarks during a Bureau of Land Management oil and gas
lease auction, Tim
DeChristopher was taken into custody by federal agents and sentenced to two
years in prison by judge Dee Benson, a controversial George H.W. Bush appointee.
Award-wininng director team Beth and George Gage's Bidder 70
tells the compelling, infuriating tale of DeChristopher's conscientious civil
disobedience, and the ludicrous legal ruling that has kept him behind bars for
longer than anyone involved in the Deepwater Horizon spill or the global
economic recession, tragedies much more deserving of judicial overreach. Despite
the fact that his brilliant stunt allowed the incoming Obama administration to
invalidate the auction altogether in lieu of adequate environmental review, the
uncompromising DeChristopher is still unfairly incarcerated, awaiting his moment
of triumphant redemption. One fervently hopes that Bidder 70 brings
that moment much closer than his scheduled release date of April 21, 2013, which
is perhaps not accidentally a day shy of Earth Day.
4. Chasing Ice
You'll have a hard time finding the sobering Chasing Ice in the malls, as it's
still on the competitive documentary circuit. But one thing is for sure:
There'll be even less ice to find when director Jeff Orlowski's documentary
about climate change and vanishing glaciers finds foreign and domestic
theatrical distribution later this year. Chasing Ice is produced by the
team that brought you the dolphin horror documentary The Cove, and it's
just as arresting, as it follows acclaimed National Geographic
photographer James Balog to the Arctic in search of something that won't melt
away before our eyes.
Balog's project to photograph the region's warming climate is not
called the Extreme Ice
Survey for nothing. For the last five years, it has mounted 30 time-lapse
cameras across three continents to chronicle the jaw-dropping loss of Arctic sea
ice, drawing a sharp, immediate focus on the ramifications of that nearly
unprecedented warming. The EIS has published these results in National
Geographic, but the still photographs are nothing compared to the
existential terror and environmental beauty of Chasing Ice, one of
2012's most important documentaries. Watch it by any means necessary.
5. To the Arctic
Chasing Ice may be a more wide-ranging documentary analysis
of the entire Arctic region, but it is To the Arctic's tale of a mother
polar bear and her twin cubs that is getting the 70mm IMAX treatment this April.
It's also boasting narration from Meryl Streep, as well as songs from Paul
McCartney, in case you were looking for further pop crossovers. But this is not
to say that To the
Arctic is a lightweight crowd-pleaser.
Directed by outdoor IMAX filmmaker Greg MacGillivray, To the
Arctic is an eye-popping exploration that hangs its environmental message
on three live animal leads, hoping their modest story of solitary survival can
teach us all a lesson about living in an interdependent system at the mercy of
the natural world's disruptively real-time changes. That it does so in stunning
visual fashion doesn't derail that message, so much as couch it in an empathy
perhaps more suitable to a much less cynical era. But if every parent in the
world took their kids to see To the Arctic instead of The
Lorax, the world might be in a lot less of a mess.
6. Facing the Storm: Story of the American Bison
Being extraordinarily large nomads who like to graze on open land,
bison stick out of our
light-speed 21st-century technopolis like sore reminders of times long past. For
this reason and others, we haven't been able to stop killing them. Or worse,
privileging the unsustainable factory-farming of cattle, consumption of which
drastically raises our chances of illness and death, all while hypocritically
crying about the tragic loss of the West in the process. This April, Public
Broadcasting System's Independent Lens series airs High Plains Films' Facing the Storm: Story of the
American Bison as a timely remainder of this historically problematic
human-animal relationship.
It's an intricate analysis, brought to life by archival imagery,
original animation and wildlife photography that will hopefully compel its
viewers to get out of their cubicles into open spaces where existence takes on
more dimensional meaning. Facing the Storm also examines not just the
ages-old battle between cattle ranchers and Native Americans and like-minded
conservationists, but also suspicious domestication strategies designed to strip
bison of their nomadic instincts altogether, so that we may better contain and
eat them.
7. The Pruitt-Igoe Myth
A long-time poster child for the failure of public-policy planning
and urban renewal, St. Louis' ambitious Pruitt-Igoe housing
project opened its doors in the mid-'50s and was spectacularly demolished by
1968. (That iconic demolition was included in the cult film Koyaanisqatsi.)
But now that our new century has experienced the ravages of unsustainable
suburban sprawl and a predictably collapsed housing market, Pruitt-Igoe's
primary example of modernism's architectural death is undergoing a suitably
postmodern reevaluation.
Director Chad Friedrichs' The Pruitt-Igoe Myth arrived on
the festival circuit in 2011, but premieres theatrically in April and will no
doubt head to on-demand alternatives shortly after. For good reason: It examines
the white flight, political opposition and economic decline that doomed its
"poor man's penthouse" to controlled demolition and historical scorn. With the
help of Pruitt-Igoe residents and a desire to rid urban renewal of its arguably
undeserved stigma, Friedrichs' award-winning documentary is a compelling
interpretive history reminding us that a planet with a population of seven
billion and counting, is eventually going to have to learn to live in closer
quarters than ever before.
8. Windfall
Given all of the fearsomely mounting resource shortages we're
facing, alternative energy should instead be called necessary energy. And wind
power is one of its promising components, despite the fact that it's capable of
tearing communities apart, for good and bad reasons. Released in February, Laura
Israel's visually impressive feature documentary Windfall analyzes its potential
for profit at the expense of the people it is purportedly trying to wean off of
fossil fuels with no future. Thanks, of course, to out-of-town investors with
ties to Wall Street financial stratagems.
Israel focuses on two upstate New York towns, Meredith and Tug Hill,
whose turbine farms, and their startling sounds and strobing effects, cause all
kinds of problems for residents invested in renewable energy for one reason or
another. But it's ultimately a dispiriting affair, given that wind farming and
solar arrays will inevitably claim not just the bucolic pastures of upstate New
York but territories across the world as the fossil fuel industry inevitably
collapses. If anything, Windfall calculates the human costs of
renewable energy, which should be mandatory math for greens worldwide.
9. Dirty Energy
The irony that the devastating Deepwater Horizon oil spill occurred
two days shy of Earth Day in 2010 is so perverse as to seem purposeful. But
while we know that none of its major-failure players are innocent -- from
Transocean to Halliburton to British Petroleum to the Gulf region power players
whose deregulated framework allowed it all to happen -- there are plenty of
dirty hands. Director Bryan D. Hopkins' independent documentary Dirty Energy attempts to
examine the spill's human aftermath by watching as the region's inhabitants
struggle to put their lives and livelihoods back together in the shadow of
economic turmoil and health risks the rest of us too easily ignore.
Unlike most of the films on this list, Dirty Energy is a
resolutely indie affair that wouldn't have happened were it not for the
galvanized activism of Hopkins and the Facebook donations that kept his film
alive. The fact that he didn't find the alternative energy happy ending he had
originally envisioned illustrates just how far off the deep end we have gone in
the name of the status quo. As such, Dirty Energy is a localized
dystopia lost in a sea of macro-environmental messaging. Here's hoping its
personal message gets heard, and seen.
~~~~~~~~~~~~~~~~~~~~~~~
Scott Thill runs the online mag Morphizm.com. His writing has appeared on
Salon, XLR8R, All Music Guide, Wired and others.
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